| Astroworld | ||||
|---|---|---|---|---|
| Digital and physical "Twenty-four hour period" version cover | ||||
| Studio anthology by Travis Scott | ||||
| Released | August iii, 2018 (2018-08-03) | |||
| Recorded | 2016 – July 2018 | |||
| Studio |
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| Genre |
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| Length | 58:33 | |||
| Label |
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| Producer |
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| Travis Scott chronology | ||||
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| Singles from Astroworld | ||||
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Astroworld is the tertiary studio album by American rapper and record producer Travis Scott. It was released on August iii, 2018, through Cactus Jack Records and K Hustle Records, and distributed past Ballsy Records. The album follows his second studio album Birds in the Trap Sing McKnight (2016), and his collaborative album Huncho Jack, Jack Huncho (2017) with Quavo.
The album features guest vocals from The Weeknd, Kid Cudi, Frank Ocean, Drake, James Blake, Philip Bailey, 21 Barbarous, Swae Lee, Gunna, Nav, Quavo, Takeoff, Juice Wrld, Sheck Wes, and Don Toliver, amidst others. Production was handled by multiple producers, including Scott himself, Mike Dean, Allen Ritter, Hitting-Boy, WondaGurl, Tay Keith, Tame Impala, Frank Dukes, Sonny Digital, Murda Beatz, and Thundercat.
The anthology title is named afterward the defunct theme park 6 Flags AstroWorld, which was located in Houston, Texas prior to its closure. Scott, a Houston native, aimed for the album to audio like "taking an amusement park away from kids". He also described the anthology as a continuation of his debut album Rodeo (2015). Astroworld is a hip hop and psychedelic rap album, incorporating elements of trap and psychedelic music. The album was supported by four singles, "Butterfly Upshot", "Sicko Manner", "Yosemite", and "Wake Up".
Astroworld received widespread acclamation and performed well commercially, debuting atop the US Billboard 200 with 537,000 album-equivalent units, of which 270,000 were pure sales. Information technology was certified triple platinum by the Recording Manufacture Association of America (RIAA). Information technology won Album of the Year at the 2019 BET Hip Hop Awards. The anthology was named one of the best albums of 2018 and the decade by several publications.
Background [edit]
The championship of the anthology was appear in May 2016,[3] [iv] [v] and initially teased for a 2017 release.[6] The album title is named afterwards the defunct theme park Half dozen Flags AstroWorld, which was located in Houston, Texas prior to its closure in 2005. In a 2017 interview with GQ, Scott spoke on the title of the album: "They tore down AstroWorld to build more than flat infinite. That's what information technology's going to sound like, like taking an amusement park away from kids. We want information technology back. We want the edifice back. That'southward why I'm doing it. It took the fun out of the city."[seven] Scott described the album equally a continuation of his debut album, Rodeo (2015), stating: "My whole idea was, if you locked into Rodeo, y'all definitely locked into Astroworld. I'chiliad only finishing the saga I started on my first album. This is supposed to be my second anthology. I had to go quick, because like I said, I had all these ideas, I merely had to get off existent quick, simply now I'm finally back abode with Astroworld."[8]
Recording [edit]
Recording for the album took place betwixt 2016 and 2018, with Travis Scott posting updates through social media.[ix] [10] [eleven] In July 2018, it was reported that Scott was completing the album in Hawaii with a variety of recording artists and producers, such as Mike Dean, Nav, Frank Dukes, Sonny Digital, WondaGurl, Sheck Wes, Gunna, Wheezy, Don Toliver, Allen Ritter and Amir "Cash" Esmailian.[12] [13] [14]
Composition [edit]
Astroworld is a hip hop and psychedelic rap album, incorporating elements of trap and psychedelic music.[two] [1] [15] [16] "Stargazing" has been described as a "psychedelic trap" vocal,[17] while "Java Bean" is said to inhabit "former school hip hop territory with a blissed-out funk guitar".[xviii] The song "Skeletons" has been labelled as "kaleidoscope-pop" past Pitchfork that draws lyrical influences from Kanye West.[ane]
Artwork [edit]
The cover was shot by American photographer David LaChapelle, and features a giant gold inflatable of Scott'due south caput as the entrance to an amusement park, with children, parents, and park employees in front end of information technology. A 2d embrace features the same amusement park entrance at dark, replacing the family-friendly features with adult-themed content.[19] [20] On August 1, 2018, transgender model Amanda Lepore, who is a known collaborator with LaChapelle, questioned why she had been excluded on the final version of the 2d cover.[21] LaChapelle afterward responded, stating that it was due to Lepore upstaging the other models on the encompass.[22] Travis Scott would also respond via Twitter, explaining he had "zip just respect for the LGBTQ community".[23]
In September 2018, TMZ reported that featured artist Frank Ocean filed a cease and desist against Scott to have his verse on "Carousel" removed due to disagreements over the song's sound.[24] Bounding main shortly issued a clarification, stating: "I think the song sounds cool [...] I also approved information technology earlier information technology came out then the stop and desist wasn't about 🔊 it was about 🏳️🌈. Me and Travis resolved it amidst ourselves weeks ago. 💖" Ocean's utilize of the pride flag was seen to be a reference to the controversial removal of Lepore from the embrace.[25]
Release and promotion [edit]
In May 2017, Scott uploaded 3 songs to SoundCloud—"A Man", "Greenish and Imperial" featuring Playboi Carti, and "Butterfly Effect".[26] "Butterfly Upshot" was released on May xv, 2017, for streaming and digital download every bit the anthology'due south lead single.[27] It peaked at number fifty on the US Billboard Hot 100.[28] The single, "Watch" featuring Kanye West and Lil Uzi Vert, was released on May four, 2018.[29] The song peaked at number 16 on the Billboard Hot 100.[28]
On July 27, 2018, a giant sculpture of Scott'due south caput appeared on top of an Amoeba Music store in Los Angeles.[xxx] [31] Multiple copies of the sculpture appeared in diverse other locations, including Scott's hometown of Houston, Texas.[32] [33] After significant internet speculation, the release appointment for Astroworld was announced on July 30, 2018, through social media, alongside an album trailer, which featured the rail "Stargazing".[34] [35]
The release was followed past an episode of Wav Radio on Beats 1 with Chase B. Three songs were premiered that did not make the final track listing: "Houdini" featuring Playboi Carti, "Zoom" featuring Gunna, and "Function Time".[36] A music video for the vocal "Stop Trying to Be God" was released on Baronial 6, 2018, directed past Dave Meyers.[37] Scott performed a medley of iii songs at the 2018 MTV Video Music Awards.[38]
"Sicko Style" was sent to rhythmic and urban contemporary radio on August 21, 2018, as the album's 2d single.[39] [twoscore] It peaked at number one on the Billboard Hot 100.[28] "Yosemite" was sent to urban contemporary radio on Nov 20, 2018, equally the album'south third single.[41] The album'southward quaternary single, "Wake Up", was sent to rhythmic contemporary radio on March 26, 2019.[42]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| AnyDecentMusic? | 8.ane/10[43] |
| Metacritic | 85/100[44] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Consequence | B[15] |
| Entertainment Weekly | B[16] |
| Exclaim! | 9/10[46] |
| The Independent | |
| NME | |
| Pitchfork | 7.eight/10[one] |
| Rolling Stone | |
| The Times | |
| XXL | 4/5[50] |
Astroworld was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional person publications, the album received an boilerplate score of 85, based on 19 reviews.[44] Aggregator AnyDecentMusic? gave it 8.1 out of 10, based on their assessment of the disquisitional consensus.[43]
Jordan Bassett of NME gave Astroworld a perfect rating, praising the album'southward guest appearances and noting "Stop Trying to Be God" as "a record of boggling prowess", while describing "Coffee Bean" every bit "a moment that encapsulates the scope and appetite of Astroworld". Bassett ended: "This is the sound of a musician who has worked to forge an entire world, an empire, around himself – nosotros can peer in, simply from distant, guessing at his motives and life backside the velvet rope."[47] With like acclaim, Kassandra Guagliardi of Exclaim! concluded that Astroworld "shows the evolution of Travis Scott as an artist and is his most refined, imaginative, and rage-worthy project nevertheless".[46] Roisin O'Connor of The Independent described Astroworld as "a futuristic record with nearly flawless production, that lingers on the mind long after the final rails" and labelled it Scott's "most career-defining work to date".[18] For Upshot, Wren Graves wrote that Astroworld is "an album full of infectious flows and atmospheric beats".[15] Thomas Hobbs of Highsnobiety stated that Astroworld "volition be remembered as the moment Travis Scott produced a piece of music worthy of the riots he is capable of inducing. It's a wildly entertaining circus ride. Travis Scott badly needed a great album to justify the hype, and with Astroworld, he just might have a classic".[51] Grant Rindner of The Line of Best Fit proverb "Scott could have easily fabricated another distorted, debaucherous project similar his previous two albums, simply by emphasizing his vocal performances and finding the best eye footing he ever has with his bevy of superstar collaborators, he's made Astroworld a theme park worth revisiting whether you came in as a stan or a skeptic".[52]
Larry Fitzmaurice of Pitchfork labelled Astroworld as Scott'southward strongest album to date, stating that "his skill every bit a curator helps sculpt a sticky, humid, psychedelic world with dazzling production and odd pleasures at every plough", although considered Scott to "play ringmaster to his neon-decayed circus of sound rather than become the main attraction".[i] Andrew Barker of Variety said, "At 17 tracks, Astroworld is not without filler—the 21 Barbarous feature "NC-17" is tiresomely sophomoric, while "Can't Say" and "Houstonfornication" never really accept shape—but rarely does the album feel lazy or uninspired".[53] For Rolling Stone, Christopher R. Weingarten complimented the first half of the anthology, though considered the second half to be weaker in comparison: "Unfortunately, Scott doesn't go along the envelope pushing up for the whole anthology: a seven-song stretch in the dorsum end is vintage Travis with its zoned-out, hypnotic throb. However, the residuum marks the most interesting music of his career, Scott no longer just looking the part of a brilliant artist, but sounding similar it also."[48]
Rankings [edit]
Manufacture awards [edit]
Commercial operation [edit]
In Travis Scott'southward habitation country of the Usa, Astroworld debuted at number one on the Billboard 200 with 537,000 anthology-equivalent units, which included 270,000 pure album sales.[72] The album scored the 2nd-largest get-go calendar week of the twelvemonth, behind Scorpion past Drake, and 2d-largest pure album sales week of the twelvemonth, behind Dave Matthews Ring's Come up Tomorrow.[72] The album earned 349.43 meg streams in the first week, marker the fifth largest streaming week always.[72] [73] Information technology serves as Scott's 2d number-one album in the United states of america.[72] Following the release, all 17 tracks on the album entered the US Billboard Hot 100, including "Sicko Style" (at iv) and "Stargazing" (viii), which made Scott the fourth human action to accept debuted multiple songs in the chart'south top 10 simultaneously.[74] The anthology earned 205,000 anthology-equivalent units in the 2nd week, staying at number ane.[75] On Dec 3, 2018, Astroworld returned to the number-one spot on the Billboard 200, earning 71,000 album-equivalent units, near 4 months later on its initial release.[76] By the cease of 2018, the anthology has earned over 1,985,000 album-equivalent units in the US, with over 464,000 being pure sales, marking the second acknowledged hip hop in pure album sales of the year, behind only Eminem's Kamikaze.[77] [78] On Nov 25, 2019, Astroworld was certified triple platinum by the Recording Manufacture Association of America (RIAA) with three million album-equivalent units in the United States.[79]
In Commonwealth of australia, Astroworld opened atop the ARIA Albums Chart, becoming Travis Scott'south first number-one on the chart.[fourscore] Two tracks "Sicko Mode" (at 7) and "Stargazing" (x) charted in the superlative ten of the ARIA Singles Chart, marking the rapper's first pinnacle ten songs in the country.[81] In Canada, Astroworld moved 27,000 album-equivalent units in its opening week.[82] Information technology serves equally Scott'southward first number-1 album in the country.[82] In the second week, the album earned 13,000 album-equivalent units, marking the second directly week at the height of the Billboard Canadian Albums.[83] In the United kingdom of great britain and northern ireland, the album debuted at number three on the United kingdom of great britain and northern ireland Albums Nautical chart, becoming the rapper'south first tiptop ten album on the nautical chart.[84] As well as the anthology, the three tracks "Sicko Mode" (at 9), "Stargazing" (fifteen), and "Carousel" (29) charted in the top twoscore of the UK Singles Chart, while the lead single "Butterfly Effect" previously reached number 57 on the chart.[85]
Rail listing [edit]
| No. | Title | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| ane. | "Stargazing" |
|
| 4:31 |
| 2. | "Carousel" |
|
| 3:00 |
| three. | "Sicko Mode" |
|
| 5:12 |
| iv. | "R.I.P. Screw" |
|
| 3:05 |
| v. | "Finish Trying to Be God" |
|
| 5:38 |
| vi. | "No Bystanders" |
|
| 3:38 |
| vii. | "Skeletons" |
|
| 2:25 |
| eight. | "Wake Up" |
|
| iii:52 |
| ix. | "v% Tint" |
|
| 3:16 |
| ten. | "NC-17" |
|
| 2:37 |
| 11. | "Astrothunder" |
|
| 2:23 |
| 12. | "Yosemite" |
|
| ii:xxx |
| 13. | "Can't Say" |
|
| 3:18 |
| 14. | "Who? What!" |
|
| 2:56 |
| 15. | "Butterfly Effect" |
|
| 3:11 |
| xvi. | "Houstonfornication" |
|
| 3:38 |
| 17. | "Coffee Bean" |
|
| iii:29 |
| Total length: | 58:33 | |||
Notes
- ^[a] signifies a co-producer
- ^[b] signifies an additional producer
- All tracks are stylized in all caps. For case, "Sicko Fashion" is stylized as "SICKO MODE".
- "Carousel" features vocals by Frank Ocean, and uncredited vocals by Large Tuck[86]
- "Sicko Style" features vocals by Drake, and additional vocals by Swae Lee and Big Hawk
- "R.I.P. Screw" features vocals past Swae Lee
- "Stop Trying to Be God" features vocals by Philip Bailey of Globe, Wind & Fire and James Blake, and boosted vocals by Kid Cudi and BJ the Chicago Kid
- "No Bystanders" features vocals by Sheck Wes, and additional vocals past Juice Wrld
- "Skeletons" features vocals by Tame Impala, and additional vocals past The Weeknd and Pharrell
- "Wake Up" features vocals past The Weeknd
- "NC-17" features vocals by 21 Savage
- "Yosemite" features vocals by Gunna, and additional vocals by Nav
- "Tin't Say" features vocals by Don Toliver
- "Who? What!" features vocals by Quavo and Takeoff
Sample credits
- "Carousel" contains a sample of "The New Mode" as performed by the Beastie Boys, written by Rick Rubin, Adam Horovitz, Adam Yauch and Michael Diamond.
- "Sicko Manner" contains a sample of "I Wanna Rock" equally performed by Luke, written by Luther Campbell, Harry Wayne Casey and Richard Finch; and "Gimme the Loot" every bit performed by The Notorious B.I.G., written past Christopher Wallace, Osten Harvey, Bryan Higgins, Trevor Smith, James Jackson, Malik Taylor, Keith Elam, Christopher Martin, Kamaal Fareed, Ali Shaheed Jones-Muhammad, Tyrone Taylor, Fred Scruggs, Kirk Jones and Chylow Parker.
- "No Bystanders" contains a sample of "Jóga" as performed by Björk, written by Björk Guðmundsdóttir and Sigurjón Sigurdsson; and portions of "Tear Da Club Upwardly", written past Paul Beauregard, Ricky Dunigan, Jordan Houston, Lola Mitchell, Darnell Carlton and Robert Phillips.
- "5% Tint" contains a sample of "Cell Therapy" performed by Goodie Mob, written by Rico Wade, Patrick Brown, Ray Murray, Cameron Gipp, Willie Knighton, Robert Barnett and Thomas Callaway.
Personnel [edit]
Credits adapted from the album's liner notes.[87]
Musicians
- Mike Dean – keyboards (track 4), guitar (runway 17), synthesizer (rail 17)
- Stevie Wonder – harmonica (track 5)
- John Mayer – guitar (tracks 8, 11, 13)
- Sheldon Ferguson – guitar (rails 12)
- Nineteen85 – bass (track 17)
- Isaiah Gage – cello (track 17)
- Tim Suby – guitar (track 17)
- Stephen "Johan" Feigenbaum – strings (track 17)
Technical
- Mike Dean – mastering (all tracks), mixing (tracks ane–thirteen, 16, 17), recording (rail viii)
- Jimmy Cash – assistant engineer (tracks 1–13, sixteen, 17), recording (tracks 1, four, ix–14, 17), mixing (tracks six, xiv)
- Jon Sher – assistant engineer (tracks 1, 3, 16, 17)
- Ben Sedano – assistant engineer (tracks i, 3, 14, sixteen, 17)
- Sean Solymor – assistant engineer (tracks 1–13, xvi, 17)
- Zach Steele – recording (tracks 2, five, 12, xiii, 17), mixing (track 6)
- Travis Scott – recording (tracks 2–4, 7–eleven, sixteen), mixing (tracks 3–5, 7, 8, 11, 17)
- Skyler McLean – assistant engineer (tracks vi, 12, thirteen)
- Shin Kamiyama – recording (rails eight)
- Thomas Cullison – assistant engineer (track fifteen)
- Blake Harden – mixing (rail 15), recording (rails 15)
Charts [edit]
Weekly charts [edit]
| Yr-end charts [edit]
Decade-end charts [edit]
|
Certifications [edit]
Release history [edit]
References [edit]
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